写英语读后感通用6篇

时间:2024-08-02 10:40:32 分类:心得体会

每次写下读后感,我都能感受到书籍在我生活中的引导作用,读后感不仅是对故事的复述,更是读者对作品内涵的独特解读,以下是小文学范文网小编精心为您推荐的写英语读后感通用6篇,供大家参考。

写英语读后感通用6篇

写英语读后感篇1

what can anyone say about don quixote that hasn"t been said? the book"s been around for four hundred years, has inspired virtually every literary movement from the eighteenth-century picaresque to the most obscure works of twenty-first century postmodernism.

don quixote is one of the few books that merits casual references with the definite article (the quixote), and additionally is one of the few books to spawn a universally-recognized adjective (quixotic).how to even approach a book like don quixote, a book that has been, at some time or other, all things to all people? how to evaluate a cultural monolith? the simplest way, of course, is just to pay attention to the fact that don quixote, four hundred years after its initial publication, is still a hell of a read!

sure, there are rough patches, yet: the mini-novels that interrupt the narrative of the first part for a hundred-odd pages would have been easy targets for some modern publisher"s blue pencil, the long essays on arms or piety can ring strangely to reader sensibilities, the descriptions are sometimes a vague mess, and yet the basic story, the basic concept holds up.

it"s hard to stay mad at don quixote: as frustrating as the plot can be at times, some archetypal lure lurks within the world of cervantes"s spain, some magic that draws us in, much like the world of chivalry that continues to draw quixote himself through the progressively more painful wringer of situations.

the concept of the novel is simple: alonso quijano, landowner from la mancha, is obsessed with his library of chivalrous books. driven mad by the inconsistencies of plot, character and philosophy that fill each volume of these seventeenth-century precursors to the fantasy novel, quijano resolves to restore dignity to the lost profession of knight-errantry, assembles a rudimentary sword, suit of armor, and horse (the eternally-suffering-and-spavined rocinante), and sets out into spain in his quest for glory.

in return for this act of hysterical faith, he finds violent innkeepers, malevolent thieves, cynical shepherds, sadistic nobility, and even (due to avellaneda"s false sequel to the book"s first volume, one of the most famous pieces of fan-fiction ever written) an inferior (and, in the novel, invisible) quixote impostor.

the first few scenes involve quixote alone against the contemporary world, but before a hundred pages have elapsed cervantes introduces sancho panza, quixote"s gullible, bloated and homily-spouting squire, who in conjunction with quixote provides the spark for endlessly bizarre discussions in which quixote"s heightened, insane conception of the world is brought crashing to earth by sancho"s sly pragmatism (discussions which occasionally end with quixote threatening to pummel sancho in order to shut him up

once joined together, it"s very difficult to imagine don quixote and sancho ever being split apart: the two are the original comic duo, locked into perpetually and mutually exclusive views of the world, and in and of themselves--whether sancho is being asked to give himself hundreds of lashes in order to disenchant quixote"s swineherd love interest, dulcinea, or whether quixote is mixing a potion based on olive oil and bitter herbs that will, in theory, cure all of sancho"s quixote-caused earthly wounds--the knight and the squire personifies the thematic conflict that propels the work.

in general, this is why don quixote remains one hell of a read--even today. the reader faces, in the same moment, an ideal view of the world (the world as enchanted, antiquated, idyllic) and the brutal facts of the actual world (the world as material, modern, loath to believe in knights.)

quixote hacks at the belly of ogres in an inn basement, and is rewarded by a jet of wine in his face and a hefty bill for damages. he tries to rid the land of giants, and is spun, lance-first, by a powerful windmill he spears in the attempt. he attempts to liberate a statue of the virgin mary, which he believes to be a damsel in distress, from her captors, and in return is beaten up by priests.

throughout, sancho is there to say exactly what the reader is likely thinking--those aren"t giants; dulcinea isn"t beautiful; none of this can be real--only to be rewarded with a lecture from don quixote about how he is beset by enchanters, who frustrate his every move by replacing the facts of his world, at the last moment, with devil"s illusions that bear an uncomfortable resemblance to our own reality. it"s a single joke repeated across a thousand pages, and yet it"s b enough to bring a laugh every time.

quixote"s insistence on his own madness in the face of innumerable arguments to the contrary, many of which take the form of cat scratches, cracked bones and missing teeth, makes him an interesting character because we know--or we think we know--that quixote is just wrong. yet, despite all of the pain he suffers in pursuit of that wrong, he continues to believe that he"s right. so we read on page-after-page, waiting to see how much more the man who believes himself a knight is able to take before he gives in--whether, in the end, quixote will give in at all.

we read not only for page-after-page, but for year-after-year, century-after-century, pulled by the cognitive dissonance that surrounds the knight like his own cloud of malicious enchanters. in the process, just as quixote builds his castles from inns and criminal campfires, so we build castles of speculation from what we find in cervantes"s spain, at once so brutally real and so dream-like, the realm of archetype and myth founded on dreary life. we, like don quixote, are driven to hallucinate by what might be, in the end, just a very good story.

with don quixote, cervantes has accomplished an enduring act of literary alchemy: just as quixote is combined with sancho, so is fantasy combined with reality, the eternal with the everyday, and like the combination of matter and anti-matter, the explosion of aesthetic power is, in magnitude, infinite, propelling readers from the earth--at first facing inward at what was left behind on the page, then, forgetting the earth, outward into meaning--farther and farther toward the dream-like stars.

写英语读后感篇2

the little prince is a book which the author write for his friend leon werth.so at the beginning the author said,to leon werth when he was a little boy,i will dedicate the book to a child from whom this grown-up grew.all grown-ups were once children.this narrates is lonely ,sad child's story.the story of the little prince of life with a serious attitude,he diligentiy to clear the crater,pulling the monkey bread tree seedlings.

he lives on a young star.one day he left the star which he lives,starts to travel.he passed though various stars,afterward,he arrived the earth.and finally returned to his star.in the traveling,the little prince saw the of all forms person in the society confused:king,which loves the vanity person.the drunkard,for put behind ashamed drinks.the industrialist who only likes calculating the astronomy number typemoney.t

hier only common ground in the heart fills the vanity.in the travel,the little prince discovered that,the people are the places which always does not will satisfy oneself lives,they are pursuing happiness with hardship,but actually frequently crudely happily expels from the side.he and the author met each other the desert,they gradually have becoming the best friend.they seek native and move together which we had already lose .

写英语读后感篇3

after reading the text "uta", i fell into deep thought.

this text talks about a fourteen-year-old german girl who travels to europe alone during the summer vacation. for this trip, she is fully prepared, reading books, designing travel routes and schedules, and saving travel expenses. whenever she visited, she checked the phone number of the police station to protect her security measures. at the same time, the text also describes that uta is concerned about whether chinese children have the opportunity to travel. in the article, uta believes that if parents love their children, they should let them go out alone and take a look in person.

i think: there are two main reasons why uta has such a good life ability. first, foreign children dare to leave their parents and are very independent; second, foreign parents are willing to let go and encourage their children to take care of themselves. unlike chinese parents, who hold them in their mouths for fear of dissolving, and hold them in their hands for fear of breaking. parents always shelter their children and dont worry about their children going out alone.

just talk about my self! because my parents spoiled me too much, they turned me into a "little princess" who "stretched out my hands with clothes and opened my mouth with food". dont say let me go on a trip alone, even in the short few minutes from school to the teachers house, my dad will give me a ride! also, the school is next door to my house. every day after school, my mother will come to pick me up.

mrs. curie once said: "the road must be walked by oneself, in order to go wider and wider." yeah! let us break free from the doting of our parents. as long as we are brave, confident and capable, the road ahead will become wider and brighter!

there can be no pine in the flowerpot, no eagle in the birdcage, please let go of your hands, mom and dad, let us fly like a happy bird in the sky that belongs to us!

写英语读后感篇4

the first time to open this classic as a fifth grade, then was only attracted by its tortuous plot, not very understand the concept of beauty and ugliness; it is not very different between the mind and appearance. the second time was watching the film, the actor's acting is really wonderful, but after all, it is " acting" out. in fact, the most important from the book to understand a vivid image, from the text to understand the beauty of the soul and ugliness.

hugo is the most shining star in the french literary world in the 19th century. he is a great playwright, novelist, and a flag bearer and leader of french romantic literature. this book highlights the " contrast of beauty and ugliness ". the characters and events in the book come from reality but are greatly exaggerated and strengthened. the whole novel is a beautiful and strange picture, forming a sharp. incredible goodness and evil, beauty and ugliness. the eternal sob of the river, the sigh of the wind, the record of the tragedy, open in the not.

the beautiful and kind-hearted girl eth, the cruel hypocritical notre dame choderlos de laclos and the ugly, the noble bell ringer quasimodo. eth was the darling of the stray in paris, who depended on the street entertainers for a living. she was innocent and sympathetic and helpful to the rescue, for she could not bear to see an innocent person being put to death, and she accepted the poet gan guo as her own husband in order to save his life. when she saw quasimodo endure under the scorching sun, only she would pity pity, although quasimodo had hurt her, but she did not care, and sent the water to the lips of quasimodo, who shouted at the end of her thirst. such a noble girl will be slander by the church' as " witch" " the murderer" and sentenced to hanging.

eth is the embodiment of beauty and good, her inner beauty, the external beauty, but suffered so hard, let us oil, however, a strong resentment against the feudal church and the royal power. in fact, beauty also needs to insist, need courage, think, how many people can always maintain a pure heart like eth, can risk to save a person who has hurt himself? she is holy, and does not allow any filth to defile. she is " beautiful "! " this noble feeling is hot under different conditions, and in your eyes, this humble creation is changed into shape, and small becomes great, and the deformity becomes beauty.

the other two distinct images - claude and quasimodo - have also made me more powerful. claude on the surface of ascetic ascetic life, but the heart desires debauchery, the worldly pleasures are full of envy. he is selfish, insidious, unscrupulous. and quasimodo, a hunchback, one-eyed, deaf and crippled freak, was born of discrimination and bullying in the world, where he first experienced the warmth of the hearts of the man, who, after this gross and barbarous character, sustenance all his life and passion in the body, through fire and water, and at the sacrifice of her own happiness for her happiness.

on the internet, i saw a metaphor for f and seamus, a literary grace, as follows:

one is a crystal vase, very beautiful, shiny, but with cracks, the water inside has all the light leak. one is ceramic vase, rough, ordinary, but reserved full of water. perhaps, doomed the beauty and the ugly blend can make this world become fierce, generous, stunning, let each reader's heart re-establish the value of " beauty ".

the charm of beauty is so, is to let us shock, hugo is relying on his romantic style to touch readers to wash the dirt of the heart, let the beautiful flowers bloom in the heart!

this novel is inspired by the beauty of human nature, has been emitting strange luster and infinite power for centuries!

写英语读后感篇5

the story of the little prince, is sad, a pain of love. love was serious and sincere, cut bone pain and unbearable.

the little prince's love, pure and elegant, sincere seriously. if the dead could make him back to his own the stars, if death can let him meet with the person i love, he will choose to die, threw because he is deeply in love with her, because his heart was tamed by rose. he did the same, he gently down, and as he came to earth is unknown.

thoreau said, people live a life of quiet desperation, he is far away from the crowd, the sun go down to find the root of all decadent, nothing, this is a dusty heaven. fortunately our hearts there is a story of the little prince, sad but beautiful, little prince sorrow for the pure love; good, because of love to give a person touched and hope.

because the story of the little prince, when we are in a quiet life, in the heart has a hope and tenderness, have touched and about domestic responsibilities.

?小王子》的故事是哀伤的,一个关于爱情的伤痛。爱得认真并且真诚,痛得切骨而且难以忍受。

小王子的爱情,纯净淡雅,诚恳认真。如果死能够使他回到自己的星星上,如果死能够让他和所爱的人相会,他会义无返顾地选择死去,因为他深沉地爱着她,因为他的心被玫瑰所驯服。他也是这么做的,他轻轻地倒下,正如他无人知晓地来到地球。

梭罗说,人在过着静静的绝望的生活,他是远离人群的,阳光下去找寻一切颓废的根源,一无所获,这是一个落满灰尘的天堂。有幸的是我们的心中还有一个关于小王子的故事,忧伤但美好,小王子的忧伤是因单纯的爱恋;美好,是因为爱恋给人的感动和希望。

因为小王子的故事,我们在静静的生活时,心里有着希望和温存,有着感动和关于驯养的责任 。

写英语读后感篇6

recently, i read a great book, childhood, which is written by gorky.

it’s a novel based on the experiences of the author’s tragic childhood, telling the stories about the author between his three to ten years old. aliocha has a bad childhood. his father and mother die in his early ages, so that he has to live with his great-grandparents. his great-grandfather is bad tempered and his uncles hate him very much. great-grandmother is the only person who cherished him. besides, aliocha also feel the pureness, friendship by his playmates.

through this book, we can see a poor, ugly society, but we also can see an adamant, compassionate little who constantly pursuits of good things in life. it’s hard to imagine how he can stick to the faith of life in such bad environment.

as to us, we live in a much better environment; of course we should cherish our happiness and be strong to face difficulties in life.

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